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‘Slowing down the going-away process’ — Tom Stoppard and Soviet Dissent

机译:“放慢步伐”-汤姆·斯托帕德和苏联持不同政见者

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摘要

Tom Stoppard is a playwright most noted for his ferocious wordplay and playful approach to reality. In the 1970s and 1980s, his concern for like-minded prisoners of conscience in the Soviet bloc informed his activism on their behalf, utilising his public profile in an attempt to reposition their plight in the West. Stoppard’s activism was largely informed by his involvement with a number of non-governmental organisations (NGOs) working to publicise human rights violations in the Soviet Union, who provided him with the most up to date information on these abuses, and gave him access to dissidents. This article explores Stoppard’s activism on behalf of Soviet prisoners of conscience, highlighting the impact that these organisations had on his activism. Through an assessment of Stoppard’s efforts, it highlights the important role that NGOs and celebrity politics played during the cold war.
机译:汤姆·斯托帕德(Tom Stoppard)是一位剧作家,以其凶猛的文字游戏和俏皮的现实方法而著称。在1970年代和1980年代,他对苏联集团中志同道合的良心犯的关注使他代表了他们的行动主义,利用他的公开形象试图重新定位他们在西方的困境。斯托帕德的积极行动很大程度上是因为他参与了一些非政府组织的工作,这些组织致力于宣传苏联境内的侵犯人权行为,这些组织为他提供了有关这些虐待行为的最新信息,并使他能够与异见人士接触。本文以苏联良心犯的名义探讨了Stoppard的激进主义,强调了这些组织对他的激进主义的影响。通过对Stoppard所做的努力的评估,它凸显了非政府组织和名人政治在冷战期间发挥的重要作用。

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    Hurst, Mark;

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